Fall of Gog and Magog
- Fall of Gog and Magog
- Title (uniform):
Sargent, John Singer, 1856-1925. Triumph of religion
This chaotic scene depicts the point of collapse when all things on earth are destroyed and the universe halts. The wheels of a flipped chariot at top and the inverted horses pulling it suggest that the earth has been thrown violently off course, while bright gild frames in Lincrusta-Walton at left signal further destruction. Backing the scene is the bright swirl of a galaxy at left and a dim outline of Saturn at right.
- Sargent, John Singer, 1856-1925
- Lanzel, Sheryl
- Boston Public Library
Boston Public Library
- Collection (local):
Mural Cycles at the Central Library in Copley Square
Sargent Gallery Murals: Triumph of Religion by John Singer Sargent
- 1 painting : mural, oil on canvas ; 254 x 506 inches
Copyright (c) Sheryl Lanzel
All rights reserved.
- Notes (date):
A contract dated January 18, 1893 officially commissioned John Singer Sargent to undertake work on the Boston Public Library Murals. Canvases were completed in Sargent's studios in Morgan Hall, England and London, England and shipped over to Boston and adhered to the library walls in four installations occurring in 1895, 1903, 1916, and 1919.
Title from information in: Wick, Peter A. "A handbook to the art and architecture of the Boston Public Library" and Sargent, John Singer, "A sequence of mural decoration executed between 1895 and 1916.".
Abstract from information in: Sargent, John Singer, "A sequence of mural decoration executed between 1895 and 1916." and Promey, Sally M., "John Singer Sargent's Triumph of Religion at the Boston Public Library."
John Singer Sargent (1856-1925) was born in Florence, Italy to an American family. He was educated at the École des Beaux-Arts in Paris, and spent most of his life living and working in England. The artist maintained close ties to Boston and painted the Boston Public Library murals concurrently with murals at the nearby Museum of Fine Arts. Known for his aptitude as a portrait painter, Sargent was commissioned to capture many famous faces of his day. The library murals - arguably his most ambitious works - represented an opportunity to solidify his reputation as a master. He was not a highly religious man, but remained fascinated by religious imagery and iconography. "Triumph of Religion" represented an opportunity for the mid-career artist to take on a truly ambitious theme and celebrate his study of religious visual history. His mural cycle was left incomplete, perhaps slowed by the artist's personal loss with the death of his niece in World War I, as well as by criticism received from members of the public who found his representations offensive.
- Notes (object):
The artist used "raised relief" elements - including wood, Lincrusta-Walton, metal, papier-mâché, glass, and plaster to help emboss and illuminate the figures in natural light.
- Accession #: