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Arthur Little and Herbert W.C. Browne architectural collection

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Arthur Little and Herbert W.C. Browne architectural collection
The partnership of Arthur Little and Herbert W. C. Browne from the early 1890s until the 1920s attracted a circle of affluent clients in Boston, Brookline, the North Shore of Massachusetts, and in locales outside of New England, such as Washington, D.C. They designed typically elegant, neo-classical townhouses and country estates. The collection consists of materials for twenty-four of their projects. In addition to architectural drawings, the related resources include account books outlining cumulative expenditures incurred by several clients, often with contractors' names; a scrapbook of furniture designs planned for specific residences; Browne's architectural library, which testifies to probable design sources; and correspondence from both men to Ogden Codman, Jr. (See the Name index of the Codman Family Papers for locations.) Dating from the period of Little's independent practice are the plates drawn for his pioneering "Early Interiors of New England" (1877), which sparked interest in the Colonial Revival style. Boston architects Arthur Little and Herbert Browne formed a partnership in 1889 with George A. Moore. The fruits of their collaboration were a series of commissions -- largely from a wealthy elite -- for ambitious town and country houses that reflect a taste for elegant and sometimes sumptuous neo-classical designs. These are an interesting foil for the "Colonial" features characteristic of Little's independent work in the 1880s, some of which is also represented by this collection. The drawings which are described in the following inventory appear to be the only ones which survived the dissolution of the firm in 1939. Despite their quantity, they hardly reveal the full scope of the firm's practice which can be partially reconstructed through the fortunate survival of cumulated accounts. These document in some detail the expenditures, contractors and subcontractors involved in projects between the late 1890s to the mid-1920s. Not only are these accounts an invaluable supplement to the collection of drawings, but they also are useful for estimating the real costs of "palatial" architecture. Besides the cumulated accounts, the Library and Archives holds other records useful to interpreting the Little and Browne firm. Photograph albums and loose photographs, which the firm apparently compiled, document completed exterior, interior, and landscape designs for several clients. These also include one volume of clippings, presumably assembled by Herbert Browne, and reflect his interest in garden design. The architectural library of Herbert Browne, consisting of approximately 250 late-sixteenth to late-nineteenth-century English language works, with particular strengths in English sources of the classical revival. That this collection was important to Browne, both intellectually and sentimentally, is suggested by the existence of a handwritten catalogue, ornamented with his hand-colored designs. There is also a folio-size album of furniture designs and decorative details, some original, some derived from other sources. Many were custom made for specific clients, and fabricated by specified cabinet makers. Besides sketches (some in color) and annotations, there are some photographs and clippings. The album appears to date from the earliest years of the firm's practice when they were affiliated with George Moore. It is indexed by client's name. The Codman Family Papers contain approximately 100 letters from Little to his fellow architect and close personal friend, Ogden Codman, Jr., as well as copies of letters sent by Codman to Little. Dating from the 1890s and early 1900s, these are largely personal in nature, but nevertheless important for their passing reference to architectural subjects and tastes. There is significant overlap in clients between the Codman and Little and Browne architectural practices. Finally, Kevin Murphey wrote his master's thesis at Boston University in1985 on Arthur Little's connection with the Colonial Revival movement and his subsequent turn towards neo-classical tastes. Associated with this work, there is a small quantity of correspondence from descendants of Little's wife, Jessie Means Little, solicited by Mr. Murphey. Sources: Guide to the Library and Archives; Little and Browne finding aid.
Little, Arthur, 1852-1925
Browne, Herbert W. C., 1860-1946
Little & Browne
architectural drawings (visual works)
account books
photograph albums
plates (illustrations)
architectural records
Historic New England
Collection (local):
AR004: Arthur Little and Herbert W.C. Browne architectural collection
Colonial Revival
town houses
country houses
architecture (discipline)
North Shore (Mass. : Coast)
architectural firms
MassachusettsSuffolk (county)Boston
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