{"links":{"self":"https://www.digitalcommonwealth.org/search.json?page=687\u0026q=boston+harbor+ships\u0026search_field=all_fields","prev":"https://www.digitalcommonwealth.org/search.json?page=686\u0026q=boston+harbor+ships\u0026search_field=all_fields","next":"https://www.digitalcommonwealth.org/search.json?page=688\u0026q=boston+harbor+ships\u0026search_field=all_fields","last":"https://www.digitalcommonwealth.org/search.json?page=694\u0026q=boston+harbor+ships\u0026search_field=all_fields"},"meta":{"pages":{"current_page":687,"next_page":688,"prev_page":686,"total_pages":694,"limit_value":20,"offset_value":13720,"total_count":13877,"first_page?":false,"last_page?":false}},"data":[{"id":"commonwealth-oai:pg15gz582","type":"DigitalObject","attributes":{"id":"commonwealth-oai:pg15gz582","system_create_dtsi":"2024-03-26T21:12:32Z","system_modified_dtsi":"2024-03-26T21:12:41Z","curator_model_ssi":"Curator::DigitalObject","curator_model_suffix_ssi":"DigitalObject","title_info_primary_tsi":"Toward an oral history of Cape Ann : Purington, Ellison","genre_basic_ssim":["Sound recordings"],"genre_specific_ssim":["sound recording-nonmusical"],"date_tsim":["May 5, 1978"],"date_type_ssm":["dateCreated"],"date_edtf_ssm":["1978-05-05"],"date_start_dtsi":"1978-05-05T00:00:00Z","date_end_dtsi":"1978-05-05T23:59:59.999Z","name_tsim":["Purington, Ellison, Interviewee","Brayton, Linda, Interviewer","Mateja, Richard, Interviewer"],"name_role_tsim":["Creator","Creator","Creator"],"name_facet_ssim":["Purington, Ellison, Interviewee","Brayton, Linda, Interviewer","Mateja, Richard, Interviewer"],"related_item_host_ssim":["Gloucester Oral History Collection"],"subject_topic_tsim":["Anecdotes","Manners and customs","Hammond, John Hays, 1888-1965","Inventors","Oral history"],"subject_facet_ssim":["Anecdotes","Manners and customs","Hammond, John Hays, 1888-1965","Inventors","Oral history"],"subject_coordinates_geospatial":["42.65,-70.6167"],"subject_point_geospatial":["42.65,-70.6167"],"subject_geojson_facet_ssim":["{\"type\":\"Feature\",\"geometry\":{\"type\":\"Point\",\"coordinates\":[-70.6167,42.65]},\"properties\":{\"placename\":\"Rockport, MA\"}}"],"subject_hiergeo_geojson_ssm":["{\"type\":\"Feature\",\"geometry\":{\"type\":\"Point\",\"coordinates\":[-70.6167,42.65]},\"properties\":{\"continent\":\"North and Central America\",\"country\":\"United States\",\"state\":\"Massachusetts\",\"county\":\"Essex\",\"city\":\"Rockport\"}}"],"physical_location_ssim":["Gloucester Lyceum \u0026 Sawyer Free Library"],"identifier_uri_ss":"https://omeka-s.noblenet.org/s/gloucester/item/5038","identifier_uri_preview_ss":"https://omeka-s.noblenet.org/files/square/4a73f122f7a0592c2c7387a84bb1e8a9caf62aa8.jpg","note_tsim":["Information about this item was supplied by NOBLE Digital Heritage."],"rights_ss":"Rights status not evaluated.","license_ss":"Contact host institution for more information.","reuse_allowed_ssi":"contact host","abstract_tsi":"7 sound files, digital, MPEG3 file The following names and terms were used in this interview: Pierce, Guantanamo Bay, David Sarnoff, Marconi, Slide-wire tuner, Mrs. Witham, President Howell, Mrs. Kline, Fred Reynolds, Irene Reynojlds, Point Radio, Elizabeth Stewart, Mr. Buswell, Stillington hall, Joe Garland, Birdseye, Gardner, Cheryl Maude, Robinson Girl, Cruft laboratories, Tremulo, Telegraphy, Frequency modulation, Armstrong , fortissiomo, piano, Lowenstein, pianissimo, Chaffe, Buswell, Gugenheim, forte,Albert Tenner, Alfred Goldsmith, Virgil Fox, Stokowsky, Ramon Navarro, I.E.E.E. 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Early work of Hammond Museum, Institute of Radio Engineers, critique of first set of papers for Institute of Radio Engineers -- 8. Bell papers belittling work of Hammond, papers accusing Hammond of stealing patents, Medal of Honor for Hammond and honorary doctorate degree for Purington, recommendation by Alexander Graham Bell -- 9. Working relations with Hammond -- 10. Published papers on Hammond -- 11.Work with navy -- 12. Reasons for working with Hammond -- 13. Hammond as an eligible bachelor, reputation with women, Hammond's courtship, cost of divorce of Irene Reynolds -- 14. Point Radio house, Buswell and Stillington Hall, Elizabeth Steward, Mrs. Gardner of Boston, Birdseye, plays of Buswell at Point Radio -- 15. First project with Hammond had to do with equipment for Navy Dept., ship and plane communication -- 16. FM communication, an explanation, FM in telegraphy -- 17. Television -- 18. Armstrong's suicide explained -- 19. Practice of FM -- 20. Armstrong's contributions. Cd 75b 1. J. H. Hammond's hearing ability ,anecdote -- 2. Inventions by Hammond and Purington, patent rights, Mr. Purington's first publication , the operation of the modular tube in radio telephone sets -- 3. Reasons for choosing to work for Hammond, staff at Hammond's Point Radio laboratory 4. Mr. Hammond's relationship with his parents . anecdotes on beginning his career and on his membership on board of managers for Institute of Radio Engineers, etc. --5. Hammond's role in the Institute of Radio Engineers (contd.). Cd 75c 1. Background work leading to Mr. Pu Originally issued on sound cassettes and transferred to compact discs.","publisher_tsi":"[Gloucester, Mass] : Sawyer Free Library","type_of_resource_ssim":["Audio"],"lang_term_ssim":["English"],"publishing_state_ssi":"published","processing_state_ssi":"complete","destination_site_ssim":["commonwealth"],"hosting_status_ssi":"harvested","harvesting_status_bsi":true,"oai_header_id_ssi":"oai:omeka-s.noblenet.org/:5038","exemplary_image_ssi":"commonwealth-oai:fj23bk84f","exemplary_image_key_base_ss":"metadata/commonwealth-oai:fj23bk84f","admin_set_name_ssi":"Gloucester Oral History Collection","admin_set_ark_id_ssi":"commonwealth-oai:3b591h722","institution_name_ssi":"Gloucester Lyceum \u0026 Sawyer Free Library","institution_ark_id_ssi":"commonwealth:j9602686z","collection_name_ssim":["Gloucester Oral History Collection"],"collection_ark_id_ssim":["commonwealth-oai:3b591h722"],"filenames_ssim":["commonwealth-oai:pg15gz582_metadata"],"_version_":1794624794234191872,"timestamp":"2024-03-26T21:12:53.847Z","subject_geographic_sim":["Essex (county)","Massachusetts","North and Central America","Rockport","United States"],"date_facet_yearly_itim":[1978],"score":45.049057},"links":{"self":"https://www.digitalcommonwealth.org/search/commonwealth-oai:pg15gz582"}},{"id":"commonwealth:n8710p88b","type":"DigitalObject","attributes":{"id":"commonwealth:n8710p88b","system_create_dtsi":"2017-09-13T12:46:18Z","system_modified_dtsi":"2024-05-20T19:13:34Z","curator_model_ssi":"Curator::DigitalObject","curator_model_suffix_ssi":"DigitalObject","title_info_primary_tsi":"Systema ideale quo exprimitur, aquarum per canales hydragogos subterraneos ex mari et in montium hydrophylacia protrusio, aquarumq[ue] subterrestrium per pyragogos canales concoctus","genre_basic_ssim":["Maps"],"date_tsim":["[1668?]"],"date_type_ssm":["dateCreated"],"date_edtf_ssm":["1668?"],"date_start_dtsi":"1668-01-01T00:00:00Z","date_end_dtsi":"1668-12-31T23:59:59.999Z","name_tsim":["Kircher, Athanasius, 1602-1680"],"name_role_tsim":["Cartographer"],"name_facet_ssim":["Kircher, Athanasius, 1602-1680"],"related_item_host_ssim":["Norman B. 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Kircher also placed a large ball of fire in the center of the earth, suggesting that this inferno causes lava and water to rise from Earth’s interior.","publisher_tsi":"[Apud Joannem Janssonium \u0026 Elizeum Weyerstraten]","pubplace_tsi":"[Amstelodami]","type_of_resource_ssim":["Cartographic"],"lang_term_ssim":["Latin"],"publishing_state_ssi":"published","processing_state_ssi":"complete","destination_site_ssim":["commonwealth","bpl","nblmc"],"hosting_status_ssi":"hosted","harvesting_status_bsi":true,"exemplary_image_ssi":"commonwealth:n8710p89m","exemplary_image_key_base_ss":"images/commonwealth:n8710p89m","admin_set_name_ssi":"Norman B. Leventhal Map \u0026 Education Center Collection","admin_set_ark_id_ssi":"commonwealth:41688024w","institution_name_ssi":"Boston Public Library","institution_ark_id_ssi":"commonwealth:sf268508b","collection_name_ssim":["Norman B. 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(H x W x D)","type_of_resource_ssim":["Text"],"publishing_state_ssi":"published","processing_state_ssi":"complete","destination_site_ssim":["commonwealth"],"hosting_status_ssi":"harvested","harvesting_status_bsi":true,"oai_header_id_ssi":"oai:historicnewengland.org:GUSN-302012","exemplary_image_ssi":"commonwealth-oai:jm215x890","exemplary_image_key_base_ss":"metadata/commonwealth-oai:jm215x890","admin_set_name_ssi":"Irving and Casson - A. H. Davenport -- Collection I (CC010)","admin_set_ark_id_ssi":"commonwealth-oai:pn89f972d","institution_name_ssi":"Historic New England","institution_ark_id_ssi":"commonwealth:z603zn023","collection_name_ssim":["Irving and Casson - A. H. 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Agassiz; W. T. Aldrich; O. H. Alford; Mrs. Hobart Ames (North Easton, MA); Oakes Ames; Mrs. Oliver Ames (North Easton, MA); Winthrop L. Ames (North Easton, MA); Mrs. J. A. Amory; H. Anderson; Dr. Edward H. Angle; D. F. Appel; B. W. Arnold; E. W. Atkinson; Louis Baer (Winchester, MA); A. T. Baker; F. Y. Baker; George B. Baker; Edward C. Ball; J. H. Ballantine; Charles P. Bancroft; C. Barnard; Henry J. Barnett; Mrs. D. C. Barton; George G. Bass; Bath Iron Works (Bath, ME); J. W. Beal; D. W. Bedell; E. A. Behrend; Mrs. George E. Belcher; Mrs. Gerard Bement; C. E. Benson; Mrs. H. P. Binney; Mrs. Emmons Blaine; Chester Bliss; Mrs. Spencer Borden; Mrs. George Briggs; William E. Brigham; E. P. Brown (Newton, MA); F. W. Brown; J. Fred Brown; James Brown; L. S. Brown; Lathrop Brown; Martin A. Brown; M. R. Bryan; Dr. W.P. Buffum; C. Sanford Bull; A. C. Burrage; Sam Butter; C. W. Whittier \u0026 Bro.; F. L. Cady; George H. Cahoone; G. R. Carter; Nellie P. Carter (Hotel Touraine, Boston, MA); R. E. Carter; H. C. Castle (Brookline, MA); James B. Castle; Z. Chaffee (Providence, RI); E. B. Chandler; A. B. Chapin; Earle Perry Charlton (Westport Harbor, MA); S. B. Chase; W. M. Chase; A. W. Chesterton; F. C. Church; E. A. Clark; Louis Clark; Harry Clegg; F. S. Cleghorn; John W. Coggeshall; George I. Cohen; B. E. Cole 2nd; R. M. Colfelt; C. A. Collins; G. T. Condon; T. N. Cook; W. E. Cooke; W. H. Coolidge; I. C. Copley; Mrs. Henry Craft; Mrs. Stuart W. Cramer; Crimmins \u0026 Pierce; S. E. M. Crocker; L. W. Cronkhite; Albert W. Crosby; L. H. Crossett (Cohasset, MA); Curtis Publishing Co.; Mrs. Allen Curtis (Beverly Farms, MA); C. P. Curtis; Elton G. Cushman (Taunton, MA); N. L. Cushman; D. F. Cutler; George C. Cutler; J. L. Damon; H. B. Day (West Newton, MA); Dr. R. A. Day; S. S. Dennis; C. B. Devereau; Mrs. D. A. Donahue; E. C. Donnelly; J. G. Dudley; F. C. Dumaine; George Duncan; Carroll Dunham; Horace C. Dunham; R. H. Durfee; W. H . Durfee; E. R. Grabow Co. (Boston, MA); Ludwig Eisemann; H. C. Eldridge; S. D. Eldridge; William Ellery; Howard Elliott; E. H. Ellison; Miss E. E. Elms; Dr. F. L. Emerson; Henry B. Endicott (Dedham, MA); F. L. Dunne \u0026 Co.; H. E. Fales; George P. Faunce; H. M. Faxon; J. B. Fenno; Fiirst Church of Christ Scientist; W. C. Fisher; James F. Flanagan; Margaret A. Folger; Ida B. Folsom; George L. Foote; E. H. Foster; H. I. Foster; Reginald Foster; Fox \u0026 Gale; C. L. Freer; G. G. Frelinghuysen; Mr. and Mrs. Albert M. French; George F. French; Brooks Frothingham; F. A. Fuller; F. H. Gage; Herbert E. Gale; Dr. W. W. Gannett; Phillip Jr. Gaston; E. L. Gay; Norman George (Newton Centre, MA); George A. Gibson; Frank H. Gifford; Augustus Franklin Goodwin; F. H. Goodyear; G. H. Gorman; J. L. Grandin; Francis Gray; S. Harold Greene; Charles H. Greenleaf; E. S. Grew; C. C. Griswold; E. Z. Grozier; Mrs. H. S. Hall; Charles J. Hamblett; A. Murrray Hancock (Franklin, NH); Thomas H. Hanley; J. B. Hardy; Lizette Hast (New York, NY); H. K. Hatfield; Louis Hauck; L. D. Hawkridge; H. Hazelton; A. N. Head; Mrs. Z. Herman; R. F. Herrick; Robert Herrick (Boston, MA); Charles R. Hickox; John F. Hill; C. M. Hinkle (Osterville, MA); W. H. Hoffman (Barrington, RI); W. H. Holbrook; L. Hollingsworth; L. E. Holt; Helen Hood; R. G. Hopkins; Ralph Hornblower; E. B. Horne; Hotel Touraine (Boston, MA); Dr. C. C. Howard; Mrs. Ernest S. Howes; John Hughes; F. E. Huntress; Mrs. John Hurd; Mrs. Constantine Hutchins; S. E. Hutchinson; George P. Hyde; Ernest H. Jackson; F. G. Jackson; Mrs. William T. Jenney; H. L. Johnson; L. S. Johnson; F. M. Jones; J. H. Jones; E. D. Jordan; Miss K. C. Keepers; H. J. Kellogg; L. E. Kerstein; George S. Keyes; A. A. Kidder (Winchester, MA); E. T. Kimball; George E. Kimhardt; Mrs. Bliss Knapp; Lee Kohn; W. N. Kremer; Charles Lanier; C. W. Lasell; George C. Lee; W. G. Lees; Mrs. Leslie Leland; Dr. S. J. Lewis; Louis Kroh Liggett (Chestnut Hill, MA); William Lindsey; A. 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Parsons; R. L. Patterson; Col. O. H. Payne; M. L. Pearce; Dr. W. H. Pearson; L. Peary; F. A. Pemberton; Henry H. Perry; William Y. Peters; Col. Charles Pfaff; A. W. Pierce; E. R. Pierce (Weston, MA); John S. Pillsbury; W. E. Piper (Melrose, MA); Thomas Gustave Plant (Moultonborough, NH); W. E. Plummer; H. G. Porter; C. M. Pratt; Charles J. Prescott; H. Priest; Emily Dutton Proctor; R. M. Grant Co. (Chicago, IL); Edgar Reed; G. M. Reed; F. W. Remick; George W. Renwick; Margaret F. Richardson; Harris W. Richmond; C. E. Riley (Newton, MA); J. H. Ritchie; E. B. Robey; M. D. Robinson; F. T. Rueter; H. O. Russ; C. W. Ryder; S. A. Salsbury; Joseph Samuels (Providence, RI); Mary Sargent; F. R. Sawyer; Henry B. Sawyer; W. H. Sawyer; R. Y. Schofield; George C. Schrafft; Miss H. G. Scott; Mrs. Charles Scribner; Dr. C. L. Scudder; R. Seegar; Dr. Frederick Sefton; W. D. Sewall; W. F. Sheehan; Dr. Frank E. Sheldon; F. B. Shepley; Wilfred Shrigley; R. A. Sibley; Benjamin Siegel; J. A. Skinner; R. L. Skofield (New York, NY); Joseph T. Smith; Frank C. Jr. Smith; H. N. Spaulding; P. L. Spaulding; P. W. Sprague; J. C. Spring; St. Peter's Church; R. R. Stanwood; State of New York (Albany, NY); Dr. C. B. Steadman; A. Stein, Jr.; Alex Steinert; Rudolph Steinert; Mrs. S. S. Stevens; R. H. Stevenson; H. T. Stimpson; Mrs. Phillip Stockton Jr.; Galen L. Stone (Brookline, MA); M. B. Stone; Mr. and Mrs. William P. Sutton (Cambridge, MA); E. Sylvester; S. S. Sylvester (Hanover, MA); Tabor Academy (Marion, MA); R. W. Taft; John Talbot; W. H. Taylor; A. R. Thayer; F. H. Thayer; Stuart Thomson; H. L. Tiffany; A. C. Tozzer; Miss J. A. Trask; T. G. Treadway; Mrs. John Tuck; Union B. Twitchell; C. H. Tyler; Rev. Thomas Ven Ness; Carl P. Waldinger; Waltham Watch Co. (Waltham, MA); Mrs. Whitman Ware; J. C. Warren; Gen. L. H. Warren; L. C. Wason; I. D. Waterman; F. Weathersby; Richard Welb; F. C. Welch; S. M. Weld (Wareham, MA); R. Welker; Mrs. Phillip Weston; Mrs. Henry Wheeler; Mrs. Leonard Wheeler; T. H. Wheeler; Z. L. White; Gerald Whitman; Jennie C. Whitman; William Whitman (Brookline, MA); G. G. Whitney; G. B. Whittemore; P. W. Whittemore; George H. Wightman; Charles Williams; G. H. Williams; Dr. Hugh Williams; D. G. Wing; H. F. Winslow (Brookline, MA); Dr. E. H. Wiswell; Arthur B. Wood; Miss Wood; Prof. J. A. Woods; F. W. Woolworth (Glen Cove, NY); J. Lowe Young; and Louis Ziegel.","date_facet_yearly_itim":[1915,1916,1917],"score":44.731644},"links":{"self":"https://www.digitalcommonwealth.org/search/commonwealth-oai:k643cc11h"}},{"id":"commonwealth:sq87dv72h","type":"DigitalObject","attributes":{"id":"commonwealth:sq87dv72h","system_create_dtsi":"2015-08-17T16:56:17Z","system_modified_dtsi":"2024-09-19T19:58:57Z","curator_model_ssi":"Curator::DigitalObject","curator_model_suffix_ssi":"DigitalObject","title_info_primary_tsi":"Church","title_info_uniform_tsim":["Sargent, John Singer, 1856-1925. 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Canvases were completed in Sargent's studios in Morgan Hall, England and London, England and shipped over to Boston and adhered to the library walls in four installations occurring in 1895, 1903, 1916, and 1919."],"note_biographical_tsim":["John Singer Sargent (1856-1925) was born in Florence, Italy to an American family. He was educated at the École des Beaux-Arts in Paris, and spent most of his life living and working in England. The artist maintained close ties to Boston and painted the Boston Public Library murals concurrently with murals at the nearby Museum of Fine Arts. Known for his aptitude as a portrait painter, Sargent was commissioned to capture many famous faces of his day. The library murals - arguably his most ambitious works - represented an opportunity to solidify his reputation as a master. He was not a highly religious man, but remained fascinated by religious imagery and iconography. \"Triumph of Religion\" represented an opportunity for the mid-career artist to take on a truly ambitious theme and celebrate his study of religious visual history. His mural cycle was left incomplete, perhaps slowed by the artist's personal loss with the death of his niece in World War I, as well as by criticism received from members of the public who found his representations offensive."],"note_tsim":["Title from information in: Wick, Peter A. \"A handbook to the art and architecture of the Boston Public Library\" and Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\".","Abstract from information in: Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\" and Promey, Sally M., \"John Singer Sargent's Triumph of Religion at the Boston Public Library.\""],"rights_ss":"Copyright (c) Sheryl Lanzel","license_ss":"All rights reserved.","reuse_allowed_ssi":"all rights reserved","digital_origin_ssi":"reformatted_digital","extent_tsi":"1 painting : mural, oil on canvas ; 95 x 63 inches","abstract_tsi":"In this Pietà image, Sargent depicts Madonna seated with Christ at her feet, the wounds from the crucifixion nails clearly visible on his exposed foot and hands. Sargent designed the ornamental frame for this work prior to the canvas' installation in 1919. Situated on the southern end of the gallery's east wall, where other images from Christianity feature, Church was completed as a counterpart to Synagogue, installed on this wall closer to the north end.","type_of_resource_ssim":["Still image"],"publishing_state_ssi":"published","processing_state_ssi":"complete","destination_site_ssim":["commonwealth","bpl"],"hosting_status_ssi":"hosted","harvesting_status_bsi":true,"exemplary_image_ssi":"commonwealth:6t054307s","exemplary_image_key_base_ss":"images/commonwealth:6t054307s","admin_set_name_ssi":"Mural Cycles at the Central Library in Copley Square","admin_set_ark_id_ssi":"commonwealth:sq87dv033","institution_name_ssi":"Boston Public Library","institution_ark_id_ssi":"commonwealth:sf268508b","collection_name_ssim":["American Artists","Mural Cycles at the Central Library in Copley Square","Highlights from the Arts Department Collection"],"collection_ark_id_ssim":["commonwealth:r494vs44n","commonwealth:sq87dv033","commonwealth:kh04nb528"],"filenames_ssim":["Church","commonwealth:sq87dv72h_metadata"],"_version_":1842266007235723264,"timestamp":"2025-09-03T17:49:35.089Z","date_facet_yearly_itim":[1916,1917,1918,1919],"score":44.518555},"links":{"self":"https://www.digitalcommonwealth.org/search/commonwealth:sq87dv72h"}},{"id":"commonwealth:sq87dv920","type":"DigitalObject","attributes":{"id":"commonwealth:sq87dv920","system_create_dtsi":"2015-08-15T22:05:26Z","system_modified_dtsi":"2024-09-19T19:58:57Z","curator_model_ssi":"Curator::DigitalObject","curator_model_suffix_ssi":"DigitalObject","title_info_primary_tsi":"Detail from Pagan Gods: Astarte","title_info_uniform_tsim":["Sargent, John Singer, 1856-1925. Triumph of religion"],"title_info_uniform_ssim":["Sargent, John Singer, 1856-1925. 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Full \"Pagan Gods\" vault measures approximately 431 x 102 inches."],"note_date_tsim":["A contract dated January 18, 1893 officially commissioned John Singer Sargent to undertake work on the Boston Public Library Murals. Canvases were completed in Sargent's studios in Morgan Hall, England and London, England and shipped over to Boston and adhered to the library walls in four installations occurring in 1895, 1903, 1916, and 1919."],"note_biographical_tsim":["John Singer Sargent (1856-1925) was born in Florence, Italy to an American family. He was educated at the École des Beaux-Arts in Paris, and spent most of his life living and working in England. The artist maintained close ties to Boston and painted the Boston Public Library murals concurrently with murals at the nearby Museum of Fine Arts. Known for his aptitude as a portrait painter, Sargent was commissioned to capture many famous faces of his day. The library murals - arguably his most ambitious works - represented an opportunity to solidify his reputation as a master. He was not a highly religious man, but remained fascinated by religious imagery and iconography. \"Triumph of Religion\" represented an opportunity for the mid-career artist to take on a truly ambitious theme and celebrate his study of religious visual history. His mural cycle was left incomplete, perhaps slowed by the artist's personal loss with the death of his niece in World War I, as well as by criticism received from members of the public who found his representations offensive."],"note_tsim":["Title from information in: Wick, Peter A. \"A handbook to the art and architecture of the Boston Public Library\" and Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\".","Abstract from information in: Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\" and Promey, Sally M., \"John Singer Sargent's Triumph of Religion at the Boston Public Library.\""],"rights_ss":"Copyright (c) Sheryl Lanzel","license_ss":"All rights reserved.","reuse_allowed_ssi":"all rights reserved","digital_origin_ssi":"reformatted_digital","extent_tsi":"1 painting : mural, oil on canvas","abstract_tsi":"Detail depicting Astarte, the goddess of sensuality. Notable are her thinly-painted blue robes over the bodies of entrapped female figures. Her jewels represent some of the mural cycle's 600+ elements of raised relief; these ones sparkling in metal and glass.","type_of_resource_ssim":["Still image"],"publishing_state_ssi":"published","processing_state_ssi":"complete","destination_site_ssim":["commonwealth","bpl"],"hosting_status_ssi":"hosted","harvesting_status_bsi":true,"exemplary_image_ssi":"commonwealth:sq87dv938","exemplary_image_key_base_ss":"images/commonwealth:sq87dv938","admin_set_name_ssi":"Mural Cycles at the Central Library in Copley Square","admin_set_ark_id_ssi":"commonwealth:sq87dv033","institution_name_ssi":"Boston Public Library","institution_ark_id_ssi":"commonwealth:sf268508b","collection_name_ssim":["American Artists","Mural Cycles at the Central Library in Copley Square","Highlights from the Arts Department Collection"],"collection_ark_id_ssim":["commonwealth:r494vs44n","commonwealth:sq87dv033","commonwealth:kh04nb528"],"filenames_ssim":["commonwealth:sq87dv920_metadata","Sargent_006"],"_version_":1842266007005036544,"timestamp":"2025-09-03T17:49:34.869Z","date_facet_yearly_itim":[1890,1891,1892,1893,1894,1895],"score":44.518555},"links":{"self":"https://www.digitalcommonwealth.org/search/commonwealth:sq87dv920"}},{"id":"commonwealth:sq87dv73s","type":"DigitalObject","attributes":{"id":"commonwealth:sq87dv73s","system_create_dtsi":"2015-08-17T16:56:45Z","system_modified_dtsi":"2024-09-19T19:58:57Z","curator_model_ssi":"Curator::DigitalObject","curator_model_suffix_ssi":"DigitalObject","title_info_primary_tsi":"Dogma of the Redemption; Trinity and Crucifix, Frieze of Angels","title_info_uniform_tsim":["Sargent, John Singer, 1856-1925. 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Canvases were completed in Sargent's studios in Morgan Hall, England and London, England and shipped over to Boston and adhered to the library walls in four installations occurring in 1895, 1903, 1916, and 1919."],"note_biographical_tsim":["John Singer Sargent (1856-1925) was born in Florence, Italy to an American family. He was educated at the École des Beaux-Arts in Paris, and spent most of his life living and working in England. The artist maintained close ties to Boston and painted the Boston Public Library murals concurrently with murals at the nearby Museum of Fine Arts. Known for his aptitude as a portrait painter, Sargent was commissioned to capture many famous faces of his day. The library murals - arguably his most ambitious works - represented an opportunity to solidify his reputation as a master. He was not a highly religious man, but remained fascinated by religious imagery and iconography. \"Triumph of Religion\" represented an opportunity for the mid-career artist to take on a truly ambitious theme and celebrate his study of religious visual history. His mural cycle was left incomplete, perhaps slowed by the artist's personal loss with the death of his niece in World War I, as well as by criticism received from members of the public who found his representations offensive."],"note_tsim":["Title from information in: Wick, Peter A. \"A handbook to the art and architecture of the Boston Public Library\" and Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\".","Abstract from information in: Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\" and Promey, Sally M., \"John Singer Sargent's Triumph of Religion at the Boston Public Library.\""],"rights_ss":"Copyright (c) Sheryl Lanzel","license_ss":"All rights reserved.","reuse_allowed_ssi":"all rights reserved","digital_origin_ssi":"reformatted_digital","extent_tsi":"1 painting : mural, oil on canvas","abstract_tsi":"At the top of this large half-moon lunette, three crowned figures representing the Holy Trinity share a single red robe, the trim of which bears the Latin word Sanctus, or \"Holy,\" in repeated gild relief. At center in high plaster relief is the figure of Christ on the cross, flanked by Adam at left and Eve at right. At the base of the cross sits a pelican, considered the sacrificial bird in medieval depictions for its tendency to pluck its own skin in order to provide food for its young when no other nourishment was available. Running along the bottom of the lunette is the Frieze of Angels, figures in primary tones holding symbols of the Passion of Christ, including the spear, pincers, hammer, nails, pillar, scourge, reed, sponge, and crown of thorns.","type_of_resource_ssim":["Still image"],"publishing_state_ssi":"published","processing_state_ssi":"complete","destination_site_ssim":["commonwealth","bpl"],"hosting_status_ssi":"hosted","harvesting_status_bsi":true,"exemplary_image_ssi":"commonwealth:6t0543082","exemplary_image_key_base_ss":"images/commonwealth:6t0543082","admin_set_name_ssi":"Mural Cycles at the Central Library in Copley Square","admin_set_ark_id_ssi":"commonwealth:sq87dv033","institution_name_ssi":"Boston Public Library","institution_ark_id_ssi":"commonwealth:sf268508b","collection_name_ssim":["American Artists","Mural Cycles at the Central Library in Copley Square","Highlights from the Arts Department Collection"],"collection_ark_id_ssim":["commonwealth:r494vs44n","commonwealth:sq87dv033","commonwealth:kh04nb528"],"filenames_ssim":["commonwealth:sq87dv73s_metadata","Dogma-of-the-Redemption"],"_version_":1842266007425515520,"timestamp":"2025-09-03T17:49:35.270Z","date_facet_yearly_itim":[1895,1896,1897,1898,1899,1900,1901,1902,1903],"score":44.518555},"links":{"self":"https://www.digitalcommonwealth.org/search/commonwealth:sq87dv73s"}},{"id":"commonwealth:sq87dv742","type":"DigitalObject","attributes":{"id":"commonwealth:sq87dv742","system_create_dtsi":"2015-08-17T16:57:01Z","system_modified_dtsi":"2024-09-19T19:58:57Z","curator_model_ssi":"Curator::DigitalObject","curator_model_suffix_ssi":"DigitalObject","title_info_primary_tsi":"Fall of Gog and Magog","title_info_uniform_tsim":["Sargent, John Singer, 1856-1925. 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Canvases were completed in Sargent's studios in Morgan Hall, England and London, England and shipped over to Boston and adhered to the library walls in four installations occurring in 1895, 1903, 1916, and 1919."],"note_biographical_tsim":["John Singer Sargent (1856-1925) was born in Florence, Italy to an American family. He was educated at the École des Beaux-Arts in Paris, and spent most of his life living and working in England. The artist maintained close ties to Boston and painted the Boston Public Library murals concurrently with murals at the nearby Museum of Fine Arts. Known for his aptitude as a portrait painter, Sargent was commissioned to capture many famous faces of his day. The library murals - arguably his most ambitious works - represented an opportunity to solidify his reputation as a master. He was not a highly religious man, but remained fascinated by religious imagery and iconography. \"Triumph of Religion\" represented an opportunity for the mid-career artist to take on a truly ambitious theme and celebrate his study of religious visual history. His mural cycle was left incomplete, perhaps slowed by the artist's personal loss with the death of his niece in World War I, as well as by criticism received from members of the public who found his representations offensive."],"note_tsim":["Title from information in: Wick, Peter A. \"A handbook to the art and architecture of the Boston Public Library\" and Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\".","Abstract from information in: Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\" and Promey, Sally M., \"John Singer Sargent's Triumph of Religion at the Boston Public Library.\""],"rights_ss":"Copyright (c) Sheryl Lanzel","license_ss":"All rights reserved.","reuse_allowed_ssi":"all rights reserved","digital_origin_ssi":"reformatted_digital","extent_tsi":"1 painting : mural, oil on canvas ; 254 x 506 inches","abstract_tsi":"This chaotic scene depicts the point of collapse when all things on earth are destroyed and the universe halts. The wheels of a flipped chariot at top and the inverted horses pulling it suggest that the earth has been thrown violently off course, while bright gild frames in Lincrusta-Walton at left signal further destruction. Backing the scene is the bright swirl of a galaxy at left and a dim outline of Saturn at right.","type_of_resource_ssim":["Still image"],"publishing_state_ssi":"published","processing_state_ssi":"complete","destination_site_ssim":["commonwealth","bpl"],"hosting_status_ssi":"hosted","harvesting_status_bsi":true,"exemplary_image_ssi":"commonwealth:6t054309b","exemplary_image_key_base_ss":"images/commonwealth:6t054309b","admin_set_name_ssi":"Mural Cycles at the Central Library in Copley Square","admin_set_ark_id_ssi":"commonwealth:sq87dv033","institution_name_ssi":"Boston Public Library","institution_ark_id_ssi":"commonwealth:sf268508b","collection_name_ssim":["American Artists","Mural Cycles at the Central Library in Copley Square","Highlights from the Arts Department Collection"],"collection_ark_id_ssim":["commonwealth:r494vs44n","commonwealth:sq87dv033","commonwealth:kh04nb528"],"filenames_ssim":["commonwealth:sq87dv742_metadata","Fall-of-Gog-and-Magog"],"_version_":1842266007431806976,"timestamp":"2025-09-03T17:49:35.276Z","date_facet_yearly_itim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916],"score":44.518555},"links":{"self":"https://www.digitalcommonwealth.org/search/commonwealth:sq87dv742"}},{"id":"commonwealth:sq87dv874","type":"DigitalObject","attributes":{"id":"commonwealth:sq87dv874","system_create_dtsi":"2015-08-17T17:01:53Z","system_modified_dtsi":"2024-09-19T19:58:57Z","curator_model_ssi":"Curator::DigitalObject","curator_model_suffix_ssi":"DigitalObject","title_info_primary_tsi":"Fifteen Mysteries of the Rosary - Joyful, Glorious, and Sorrowful Mysteries","title_info_uniform_tsim":["Sargent, John Singer, 1856-1925. Triumph of religion"],"title_info_uniform_ssim":["Sargent, John Singer, 1856-1925. 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Full \"Mysteries of the Rosary\" vault measures approximately 431 x 101 inches."],"note_date_tsim":["A contract dated January 18, 1893 officially commissioned John Singer Sargent to undertake work on the Boston Public Library Murals. Canvases were completed in Sargent's studios in Morgan Hall, England and London, England and shipped over to Boston and adhered to the library walls in four installations occurring in 1895, 1903, 1916, and 1919."],"note_biographical_tsim":["John Singer Sargent (1856-1925) was born in Florence, Italy to an American family. He was educated at the École des Beaux-Arts in Paris, and spent most of his life living and working in England. The artist maintained close ties to Boston and painted the Boston Public Library murals concurrently with murals at the nearby Museum of Fine Arts. Known for his aptitude as a portrait painter, Sargent was commissioned to capture many famous faces of his day. The library murals - arguably his most ambitious works - represented an opportunity to solidify his reputation as a master. He was not a highly religious man, but remained fascinated by religious imagery and iconography. \"Triumph of Religion\" represented an opportunity for the mid-career artist to take on a truly ambitious theme and celebrate his study of religious visual history. His mural cycle was left incomplete, perhaps slowed by the artist's personal loss with the death of his niece in World War I, as well as by criticism received from members of the public who found his representations offensive."],"note_tsim":["Title from information in: Wick, Peter A. \"A handbook to the art and architecture of the Boston Public Library\" and Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\".","Abstract from information in: Sargent, John Singer, \"A sequence of mural decoration executed between 1895 and 1916.\" and Promey, Sally M., \"John Singer Sargent's Triumph of Religion at the Boston Public Library.\""],"rights_ss":"Copyright (c) Sheryl Lanzel","license_ss":"All rights reserved.","reuse_allowed_ssi":"all rights reserved","digital_origin_ssi":"reformatted_digital","extent_tsi":"1 painting : mural, oil on canvas","abstract_tsi":"This arch, formed in gilded raised relief and painted panels, crowns the south end of the Sargent Gallery. Its fifteen scenes correspond to the placement of two accompanying images of the Virgin Mary. Five images representing the Joyful Mysteries correspond to Handmaiden of the Lord on the east wall. The central gilded portion at the top of the vault shows the Glorious Mysteries, while the five scenes in the Sorrowful Mysteries meet the image of Madonna of Sorrows along the west wall.","type_of_resource_ssim":["Still image"],"publishing_state_ssi":"published","processing_state_ssi":"complete","destination_site_ssim":["commonwealth","bpl"],"hosting_status_ssi":"hosted","harvesting_status_bsi":true,"exemplary_image_ssi":"commonwealth:6t054320b","exemplary_image_key_base_ss":"images/commonwealth:6t054320b","admin_set_name_ssi":"Mural Cycles at the Central Library in Copley Square","admin_set_ark_id_ssi":"commonwealth:sq87dv033","institution_name_ssi":"Boston Public Library","institution_ark_id_ssi":"commonwealth:sf268508b","collection_name_ssim":["American Artists","Mural Cycles at the Central Library in Copley Square","Highlights from the Arts Department Collection"],"collection_ark_id_ssim":["commonwealth:r494vs44n","commonwealth:sq87dv033","commonwealth:kh04nb528"],"filenames_ssim":["commonwealth:sq87dv874_metadata","Mysteries-of-the-Rosary"],"_version_":1842266008411176960,"timestamp":"2025-09-03T17:49:36.210Z","date_facet_yearly_itim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916],"score":44.518555},"links":{"self":"https://www.digitalcommonwealth.org/search/commonwealth:sq87dv874"}}]}